The Partly Cloudy Patriot - Sarah Vowell
"The best the slaughtered can usually hope for is a cameo in some kind of art. Mostly, we need a Guernica to remind us of Guernica."
"I remember seeing an interview with him on TV, it might have been a Nova episode on global warming in the mid-eighties. It was basically the first time I had ever heard of global warming. And Gore was the young senator from Tennessee. He very articulately explained what politics is. Politics is people worrying about next year and right now. The problem you have when the more you know about global warming as a politician is the more you realize you can’t do anything with it. Experts bombard you with cold, hard facts about what’s going to happen fifteen years from now. You look at your children. You know they’re going to be living in that world. You can see the train coming down the track. Gore said one of the most frustrating things is that you can’t run on that because the public is not interested in wisdom and the public is not wise. The public is actually reactive. So unless you can create is as a scenario that’s going to work for them right now, it’s just something you have to do behind the scenes. You have to figure out how to sell your idea to people within the system.”
“In the first day or two [after 9/11] the flags were plastered everywhere, seeing them was heartening because they indicated that we’re all in this sorrow together. The flags were purely emotional. Once we went to war, once the president announced that we were going to retaliate against the ‘evildoers,’ then the flag again represented what it usually represents, the government. I think that’s when the flags started making me nervous."
"The more history I learn, the more the world fills up with stories. Just the other day, I was in my neighborhood Starbucks, waiting for the post office to open. I was enjoying a chocolatey cafĂ© mocha when it occurred to me that to drink a mocha is to gulp down the entire history of the New World. From the Spanish exportation of Aztec cacao, and the Dutch invention of the chemical process for making cocoa, on down to the capitalist empire of Hershey, PA, and the lifestyle marketing of Seattle’s Starbucks, the modern mocha is a bittersweet concoction of imperialism, genocide, invention, and consumerism served with whipped cream on top. No wonder it costs so much. And, thanks to Sophie and Michael Coe’s book The True History of Chocolate, I remembered that cacao beans were used as currency at the moment of European contact. When Christopher Columbus’s son Ferdinand captured a Mayan canoe in 1503, he noticed that whenever one of the natives dropped a cacao bean, ‘they all stooped to pick it up, as if an eye had fallen.’ When you know such trivia, an act as mundane as having an overpriced breakfast drink becomes imbued with meaning, even poetry. Plus, I read a women’s magazine article called ‘5 Fabulous Morning Rituals,’ and it said that after you ‘bask in bed’ and ‘walk in nature’ you’re supposed to ‘ponder the sins of the conquistadors.’"
Tuesday, August 21, 2012
Tuesday, August 14, 2012
What I Talk About When I Talk About Running
What I Talk About When I Talk About Running - Haruki Murakami
“I’m struck by how, except when you’re young, you really need to prioritize in life, figuring out in what order you should divide up your time and energy. If you don’t get that sort of system set by a certain age, you’ll lack focus and your life will be out of balance. I placed the highest priority on the sort of life that lets me focus on writing, not associating with all the people around me. I felt that the indispensable relationship I should build in my life was not with a specific person, but with an unspecified number of readers. As long as I got my day-to-day life set so that each work was an improvement over the last, then many of my readers would welcome whatever life I chose for myself. Shouldn’t this be my duty as a novelist, and my top priority?”
“…I don’t think it’s merely willpower that makes you able to do something. The world isn’t that simple. To tell the truth, I don’t even think there’s that much correlation between my running every day and whether or not I have a strong will. I think I’ve been able to run for more than twenty years for a simple reason: It suits me."
“The funny thing is, no matter how much experience I have under my belt, no matter how old I get, it’s all just a repeat of what came before. I think certain types of processes don’t allow for any variation. If you have to be part of that process, all you can do is transform—or perhaps distort—yourself through that persistent repetition, and make that process a part of your own personality.”
“I’m struck by how, except when you’re young, you really need to prioritize in life, figuring out in what order you should divide up your time and energy. If you don’t get that sort of system set by a certain age, you’ll lack focus and your life will be out of balance. I placed the highest priority on the sort of life that lets me focus on writing, not associating with all the people around me. I felt that the indispensable relationship I should build in my life was not with a specific person, but with an unspecified number of readers. As long as I got my day-to-day life set so that each work was an improvement over the last, then many of my readers would welcome whatever life I chose for myself. Shouldn’t this be my duty as a novelist, and my top priority?”
“…I don’t think it’s merely willpower that makes you able to do something. The world isn’t that simple. To tell the truth, I don’t even think there’s that much correlation between my running every day and whether or not I have a strong will. I think I’ve been able to run for more than twenty years for a simple reason: It suits me."
“The funny thing is, no matter how much experience I have under my belt, no matter how old I get, it’s all just a repeat of what came before. I think certain types of processes don’t allow for any variation. If you have to be part of that process, all you can do is transform—or perhaps distort—yourself through that persistent repetition, and make that process a part of your own personality.”
The Age of Virtual Reproduction
The Age of Virtual Reproduction - Spring Ulmer
“If [Walter] Benjamin, whose death remains inseparable from the Holocaust, inhabited the age of mechanical reproduction, an age in which art and writing were becoming less esoteric and ritualistic and more political and available to a larger public, but simultaneously ever more endangered by fascist co-opting, I embody the age of virtual reproduction, an age not so different from Benjamin’s, except that today’s dissemination of cultural products happens more rapidly and is more far-reaching, and the language that must be wrested back from military and capitalist co-opting is no longer German, but English. Mine is an age in which, arguably, it is more responsible to birth neither book nor baby. It is an age in which we are alienated not just from our work, but from almost everything, not excluding the environment around us, our friends, families, and selves.”
“What’s a quote of a quote? a friend’s son asked me at one of my Benjamin’s Spectacles readings, after I’d spoken about how I quote from Walter Benjamin’s book of quotes, The Arcades, in my book. I didn’t know enough then to say what I’ve since determined would have been the best reply: Why, a quote of a quote is a twice intensified return to words that have been broken from their original contexts! Pulled that far out from where they originally belonged, a quote of a quote is a kind of stretch-marked language. Have you see those lines on your mother’s stomach? It is like that certain proof of passage.
Instead, I fumbled about on stage, taken aback by such a real question.”
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